The paths inside the EPS written back as SVG shapes, cropped to the artwork and free of pixels.
Swap: SVG to EPSAn EPS holds paths; an SVG lets them out of the print workflow and into an editor, a browser or a cutter.
An EPS is PostScript: curves, fills and strokes with a bounding box, written for a printer. Read as SVG, those same curves are written back as paths, so the drawing keeps its clean edges at any size instead of being frozen into a grid of pixels.
Browsers, design tools, icon libraries, cutting and laser software all read SVG. An EPS usually needs an import dialog, a translation step or the application that produced it. One SVG file is also a few kilobytes where the same artwork as a 300 dpi picture is megabytes.
Paths can be recoloured, moved and deleted in any vector editor, and they can be handed to a plotter that follows outlines. That makes the SVG the practical working copy of artwork that arrived as an old print file.
A page as the EPS defines it, with the vector content still vector — and one honest exception.
The page is taken from the EPS bounding box, so there is no sheet of paper around the artwork and no margin to trim. Logo, diagram, stamp and signature strokes arrive as paths: zoom to 800% and the curves stay smooth, because there is no pixel grid to run out of.
Letters are converted to shapes on the way through, exactly as they would be for print. They scale perfectly and never depend on a font being installed, but they are no longer text: you cannot select a word, search for it or retype it in the SVG.
An EPS may carry a photograph or a rasterised effect. That part travels inside the SVG as an image at its original resolution, so enlarging it still softens — an SVG cannot invent detail the picture never had.
An SVG has no dpi: the page is stored as coordinates, not as dots. The resolution control stays visible because this is the same converter as the PNG and JPG pages, but a vector answer is unaffected by it and the file is the same at 72, 150 or 300 dpi.
It does not change the SVG, but it decides what the pictures inside it are worth.
A photo or a raster effect inside the EPS is placed in the SVG at the size it was stored. If the original was a 72 dpi scan, the SVG shows a 72 dpi picture inside a vector frame, and the sharpness of the shapes around it does not help.
A logo, a plan or a signature with no bitmap in it comes out identical whatever resolution is selected. Every coordinate is the same number of points away from every other, so the drawing is resolution-free by construction.
When the goal is a fixed pixel size — a listing image, a slide, a print proof — EPS to PNG renders the same page at 72, 150 or 300 dpi, which is the setting that actually decides the dimensions.
A PostScript file describes what to draw; it does not always bring everything it refers to.
Typefaces are usually named in an EPS, not embedded. When the server does not have the one the file asks for, the letters are drawn in the closest available face and then outlined, so the substituted letterforms are what you get. Converting the text to outlines in the source application keeps the design exact.
Each conversion has a wall-clock limit. A file with tens of thousands of paths, a mesh gradient or a large embedded picture can take longer than that and is stopped with a message rather than producing a truncated drawing. Exporting an SVG straight from the source application is the cleanest shortcut when that happens.
Three steps, no account and nothing to install.
Drop it on the box, click to browse, or paste it with Ctrl+V (Cmd+V on a Mac). One file per
run, up to 25 MB. A plain .ps file works too: it is the same language without
the bounding box, and the page then follows the drawing instead.
SVG is already chosen as the format, and the drawing is stored as coordinates rather than dots, so the dpi control has nothing to change. There is no page size to set and no margin to choose.
The file keeps the name of your upload with a .svg extension. Open it in a design tool, place it on a page or feed it to a cutter — the paths are selectable and recolourable there.
What to check so the SVG behaves in the tool that receives it.
Open the SVG in an editor and click a letter. If it is a single path, the text came across as outlines and will look the same everywhere. If the letters are separate objects the file is using a font, and the editor may have substituted it — compare against the original before you send the file on.
Cutting software struggles with artwork built from thousands of tiny nodes. Open the SVG, merge the shapes that belong together, delete the hidden layers and reduce the node count where it makes no visible difference; the machine will finish the job in a fraction of the time.
If the print shop insists on PostScript again, SVG to EPS writes the paths back out as an EPS cropped to the artwork. For a picture at a known size, SVG to PNG renders it, and PDF to PNG does the same for a PDF that arrived instead of an EPS.
Yes. There is no account, no subscription, no watermark and no cap on how many drawings you convert. A short rate limit is the only restriction, and it keeps the service responsive for everyone converting at the same time.
A real vector: the shapes the EPS describes are written back as SVG paths, so they scale without softening and can be edited one by one. The exception is a photograph embedded in the EPS, which travels as an image at its original resolution because there is no geometry to recover from it.
No. Any browser opens an SVG, and Inkscape, Affinity Designer, CorelDRAW, Figma and most cutting software import it as editable shapes. The conversion itself runs on the server, so no editor has to be installed to produce the file either.
One file per run, up to 25 MB, and the first page is converted. Text is outlined with the fonts the server has, so an EPS that names a typeface without embedding it shows a substitute face; a file with an extreme number of paths can also reach the time limit and is stopped with a message instead of a partial drawing.
Files are processed on our server and not stored. The EPS is read once, the SVG is written to the response and nothing is kept afterwards, so the file that lands in your download folder is the only copy of the result.
